TRANSPONDER wrote: ↑Mon Dec 26, 2022 10:26 pm
Well, you should bring this up with cosmologists then and not just me. If cosmologists can invoke extranatural explanations, why can't I? However, note I have not invoked any non-natural causations yet. I'm simply asking questions, which nobody is able to adequately answer.
Please do not send me off to debate with scientists about matters I put to you. I'm making the point that, if an explanation for an object like the shroud as a painting, for instance, is apparently discounted, that does not automatically make a miracle the go -to argument.
I'm not literally saying for you to talk to cosmologists. I'm referring to the discussions earlier in this thread in cosmology where I've demonstrated modern cosmology has already left naturalistic explanations and invoke non-naturalistic explanations. Why do they need to invoke curved spacetime, multiverse, dark energy, dark matter, unobservable universe, etc? All of these explanations are not detectable. Why can cosmologists invoke extranatural explanations and theists cannot?
In the contact -print theory, the 'blood' would be painted on later.
Are you saying the blood got painted on after an image was formed by contact? Evidence please.
That would also have to come later. I would need to microscopic images of the bloodstain areas as I have seen of the body -contact areas.
There is no way the blood stains could've been painted on after the image was imprinted on the cloth. It's because
there is no image under the blood stains. That means the blood was on the cloth first and then the image was formed. And if you think about, it must've happened this way if Jesus was wrapped and then was resurrected. So, if it was a forgery, how was the artist able to put on blood stains perfectly first and then depict the image? And how was the artist smart enough to do this?
This absence of body image on the wound image margins suggests that the blood images were present on the cloth before the body image was "placed," "appeared," or perhaps "developed." This suggestion is consistent with the chemistry of the body-only image, because this thinner fluid could have coated these margin fibrils sealing them and preventing the advanced decomposition reaction. This conclusion is supported by microscopic examination of the fibrils from the blood areas after removing the serum coating by protease digestion. Fibrils, so treated, more closely resemble those from the off-image olear areas than those from the body-only image areas when viewed by phase contrast microscopy.
https://pubs.acs.org/doi/10.1021/ba-1984-0205.ch022
Further, if blood was placed on the cloth first and then the cloth was subject to high heat to scorch an image, it would burn/char the blood. We see this near the burn area marks in the fire of 1532. However, where there is the image that is not affected by the fire, the blood is not charred.
The most obvious marks are those resulting from a fire in AD 1532. These can be classified as burns, marks actually composed in part of charred linen, and scorches where the linen is noticeably discolored but not actually reduced to char.
https://pubs.acs.org/doi/10.1021/ba-1984-0205.ch022
There is no image under the bloodstains on the Shroud[2]. Therefore the blood was on the cloth before the image[3].
http://theshroudofturin.blogspot.com/20 ... hroud.html
Yellow-colored fibers forming the image were not found beneath blood or serum, indicating the image formed after the blood adhered to the cloth.
https://reasons.org/explore/blogs/voice ... -the-cloth
This also refutes the Fisher King image hypothesis, where it says the blood was painted on after the image was formed.
brunumb wrote: ↑Sun Dec 25, 2022 6:56 pm
There is another interesting hypothesis involving the material being used to wrap an alabaster pillar with the Fisher King’s image carved on it. This helps explain the traces of gypsum found and the appearance of the image. Fascinating theory.
https://tinyurl.com/yc7s4ck5
“It is possible that the statue of the Fisher King was destroyed at the same time – just in case someone spotted the likeness between it and the supposed image of Christ. With the statue gone and the cloth being promoted as the Holy Shroud, the monks would have had in their possession a unique - but accidentally created - relic that they could easily pass off as genuine.
“However, there was a twist. The outline of the statue needed enhancing – there were no traces of blood on the head where the crown of thorns would have sat, no blood traces where the spear had pierced his side and, critically, no nail wounds visible on the cloth.
“To remedy this the monks of Burton Abbey almost certainly enhanced the image of the Fisher King - using their own blood! This would have been easy for them to obtain as Burton Abbey was famous for bloodletting.”
https://www.staffordshire-live.co.uk/ne ... ly-6796336