1213 wrote:
Justin108 wrote:
What is the "correct" way to interpret the Bible?
I don’t know any good reason why Bible should be interpreted. It should be understood wholly as it is written. Or do you also make interpretations of other books also? Or do you read them as they are written?
I interpret other writings also, based on the standards used with all literature. Historical prospective changes, languages change and cultures change. That is not to say that the intended message changes, but how humans view things changes. Many view the founders of this nation as monsters based on the debate over the two-thirds compromise, because it only counts a slave as two-thirds of a person. However, in the proper historical and cultural context, if one opposes slavery, counting a slave as two-thirds of a person was better than counting that slave as a whole person. That is because the issue was about the number of representatives and not who gets to vote.
Now regarding the first chapter of Genesis, it is a counter to the Serpent mythology of the day and in prosaic language that would be more easily understood by a story telling society, not the scientific language of a technological society. The creation is not arranged in evolutionary order, but, among other things in like kind order. First, the static elements are presented. heavens and earth, light and dark. Later are listed the moving things, astronomical bodies, birds and fish, land animals and man. The plants are in the middle, not because they appeared after one and before the other, but because they are transitional. They are fixed to the earth, yet their reproduction involves motion. So, the theme is a progression from chaos to static elements and then active elements within that static framework. This is a counter argument to the repetition of circular time controlled by the ebb and flow of conflicting forces. The "days" are presented in a linear fashion, not because it is meant to create a perfect modern day timeline, but to reinforce the concept the passage of time, rather than the repetition of time. In added, seven is not just the number of "days" , but the repeating structure of the prose. In this way all o creation is connected to the number seven.